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Motion Picture Alliance for the Preservation of American Ideals
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Motion Picture Alliance for the Preservation of American Ideals : ウィキペディア英語版
Motion Picture Alliance for the Preservation of American Ideals
The Motion Picture Alliance for the Preservation of American Ideals (MPAPAI, also MPA) was an American organization of high-profile, politically conservative members of the Hollywood film industry. It was formed in 1944 for the stated purpose of defending the film industry, and the country as a whole, against what its founders claimed was communist and fascist infiltration.〔
The initial, immediate purpose in forming the organization was to assemble a group of well-known show business figures willing to attest, under oath, before Congress to the supposed presence of Communists in their industry. When the House Un-American Activities Committee investigated the motion picture industry, the vast majority of "friendly witnesses" were supplied by the Alliance.〔
With great zeal this group importuned HUAC for its intervention into the Hollywood scene.〔 Dmytryk, Edward. 1996. Odd Man Out, A Memoir of the Hollywood Ten 〕
Prominent members of the Alliance included Robert Arthur, Martin Berkeley, Ward Bond, Walter Brennan, Clarence Brown, Charles Coburn, Gary Cooper, Laraine Day, Cecil B. DeMille, Walt Disney, Irene Dunne, Victor Fleming, Clark Gable, Cedric Gibbons, Hedda Hopper, Leo McCarey, James Kevin McGuinness, Adolphe Menjou, George Murphy, Fred Niblo, Dick Powell, Ayn Rand, Ronald Reagan, Ginger Rogers, Morrie Ryskind, Norman Taurog, Robert Taylor, Barbara Stanwyck, King Vidor, John Wayne, Frank Wead and Sam Wood.〔〔
The Alliance officially disbanded in 1975.
==Statement of Principles==

Shortly after its formation in 1944, the Alliance issued a "Statement of Principles:"

We believe in, and like, the American way of life: the liberty and freedom which generations before us have fought to create and preserve; the freedom to speak, to think, to live, to worship, to work, and to govern ourselves as individuals, as free men; the right to succeed or fail as free men, according to the measure of our ability and our strength.
Believing in these things, we find ourselves in sharp revolt against a rising tide of communism, fascism, and kindred beliefs, that seek by subversive means to undermine and change this way of life; groups that have forfeited their right to exist in this country of ours, because they seek to achieve their change by means other than the vested procedure of the ballot and to deny the right of the majority opinion of the people to rule.
In our special field of motion pictures, we resent the growing impression that this industry is made of, and dominated by, Communists, radicals, and crackpots. We believe that we represent the vast majority of the people who serve this great medium of expression. But unfortunately it has been an unorganized majority. This has been almost inevitable. The very love of freedom, of the rights of the individual, make this great majority reluctant to organize. But now we must, or we shall meanly lose "the last, best hope on earth."
As Americans, we have no new plan to offer. We want no new plan, we want only to defend against its enemies that which is our priceless heritage; that freedom which has given man, in this country, the fullest life and the richest expression the world has ever known; that system which, in the present emergency, has fathered an effort that, more than any other single factor, will make possible the winning of this war.
As members of the motion-picture industry, we must face and accept an especial responsibility. Motion pictures are inescapably one of the world's greatest forces for influencing public thought and opinion, both at home and abroad. In this fact lies solemn obligation. We refuse to permit the effort of Communist, Fascist, and other totalitarian-minded groups to pervert this powerful medium into an instrument for the dissemination of un-American ideas and beliefs. We pledge ourselves to fight, with every means at our organized command, any effort of any group or individual, to divert the loyalty of the screen from the free America that give it birth. And to dedicate our work, in the fullest possible measure, to the presentation of the American scene, its standards and its freedoms, its beliefs and its ideals, as we know them and believe in them.〔(【引用サイトリンク】title=Hollywood Renegades Archive: The Motion Picture Alliance for the Preservation of American Ideals )


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